Gage Klipper

A for effort, I guess.

Keating is in fact the villain of the story

Crucially, the relationship was designed to build a bond between the two men so strong that they would fight and die for each other

That leaves two, respectable contenders

They’re a ship of misfits with nothing but raw talent, passion, and a burning desire to plate perfection.

The irony is that the two families never really move past the mistrust even as it becomes clear mistrust was the goal of the attack

Once one embraces a life of pure indulgence, there is no satiating it; it must be pursued to oblivion

It seems like everyone involved in making films these days is only in it for the money

It is clear we are meant to think of the Napoleonic Era as a dark moment in history

Being a man means caring for the next generation — not only for its physical safety, but for its moral formation

‘Believer’ rejects this Christian worldview, instead embracing a noxious mix of multiculturalism and secular humanism

Poirot’s indifference is emblematic of the collective artistic shrug at the entire all of the Western canon today

The film is not about man conquering the limitations of humankind on a quest into the unknown

She undeniably suffered under the control of her conservators, who reportedly exploited their position at every turn

The Movie Every Conservative Should Re-Watch This Labor Day Weekend

At face value as a horror movie, the film still holds up

‘ an aspiring country star does not need to conform to the aesthetics or the values of the broader music industry’

Country music has been in the headlines a lot lately, but for all the wrong reasons. First, the corporate press came after Luke Combs for releasing a cover of Tracy Chapman’s classic hit, “Fast Car” as — gasp! — a white man.

These boundaries are not necessarily toxic, but they are absurd

It is a religion of death — only through death of a child can life of the mother be truly realized

His legacy is part of what changed America forever